Producers, artists, leads and interns can import, export and share information, whether it’s stills, Excel spreadsheets or reference clips. Shotgun is like Filemaker on crack, but much less daunting to set up or maintain. I have been using RV for visual effects and animation for a while now and the feature set and stability make it tough to compete with.
#SHOTGUN CINESYNC INTEGRATION SOFTWARE#
Shotgun also partnered with Tweak Software to bring in the RV Playback System for review and playback. If you happen to have someone handy with Python, you can start creating some really new ways to tie Shotgun to your visual effects or post pipeline.
One of the many things that keep a studio on track is its schedule, and Shotgun allows you to customize pretty much anything to fit your studio’s needs. Hosting your own data, or having Shotgun host it for you, lets you choose where your data will be stored. Integrated messaging allows everyone to keep track of notes, tasks, emails, and attachments, which can be filtered by type, status or a custom header. And because it uses the Web, there is no need to wonder if someone is looking at the most recent version of the project because as soon as a task or field is changed on the server, everyone on the project is updated. Since it is Web-based, all you need is a Web browser and an Internet connection to log in. Shotgun had been in development for about three and a half years before I joined the beta team about a year ago, and the time and effort spent really shows in Shotgun’s versatility. This software was created by people working in the 3D feature film industry they saw a need for a well-rounded set of tools for studios to track and collaborate on projects. Shotgun is a cross-platform, Web-based production tracking and collaboration system for studios. This is where Shotgun Software comes into play. Just keeping track of the media, let alone the production schedule, who is on the job, and which tasks a certain department has, can be very daunting and at times would require you to hire a database whiz to design some custom software. Media is coming from every which way, be it on Compact Flash, P2, drive or telecine. Today’s productions for film, broadcast and even the Web are seeing extremely large digital pipelines and even crazier deadlines. WEBSITE: PRICING: Ranges from Lite ($19 per user/month) to Partner ($149 per user/month)
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